‘A Scared Actress’ speaks to Neil Gaiman about acting in Innocence of Muslims…

Anna Gurji speaks to Neil Gaiman about role she played in Innocence of Muslims

Georgian actress, Anna Gurji

Continuing with the theme of why i find Twitter compelling enough to spend significant time on it (see previous post), one of the handful of celebrities I follow is Neil Gaiman, author of American Gods and much else. He tweets like a normal person about his work, his wife who is singer @amandapalmer, and generally about his day to day stuff. This morning he tweeted that he had posted a distressed email he received from Anna Gurji, one of the actresses in the film Innocence of Muslims, on his blog. He’s known her for some time and finds her a credible source; a good thing because her story is pretty sensational. She says she was one of a group of “People who were tricked into believing that we were making an adventure drama about a comet falling into a desert”. In her words they “did nothing but take part in a low budget indie feature film called the “Desert Warrior” that WAS about a comet falling into a desert and tribes in ancient Egypt fighting to acquire it.”

She has now discovered that the film people are rioting and losing their lives about is none other than the film she acted in. “Desert Warrior” was transformed thru clever editing and dubbing into the infamous “Innocence of Muslims”. Neil Gaiman asked her to write up her experience so he could put it on his blog. I’ve cut and pasted relevant parts of that statement below. Please visit Gaiman’s blogpost A Letter from a Scared Actress for the rest and for further details on Anna Gurji and his own acquaintance with her.

Everyone who wishes to find out the truth about the movie now known as the Innocence of Muslims, please read the letter below. I, Anna Gurji, as one of the supporting actresses in the film will share with you what really happened.
A year ago, in the summer of 2011, I submitted my materials to various projects on the Explore Talent web-site. I received a call from the casting director of the movie “Desert Warrior”, and my audition date was scheduled. I auditioned for the role of Hilary. Several days later, I was informed that I got a callback. I did the callback. Several days later, I was informed that I landed the role of Hilary in the movie called “Desert Warrior”.
The filming of the movie was done in August of 2011. We were filming the movie in a studio warehouse with a green screen in Duarte, CA. The project was a low budget, independent feature movie.
The filming of the movie was beginning soon after the day I was told I got a role. The script was not sent to me. When I got to the set, I was merely provided with the scenes my character was in.
I did not consider this to be an unusual thing, seeing as I have had an experience with something like this before. I did a movie once where the script was written in a foreign language and only my parts were translated into English and accordingly, I was provided with my scenes only. Having experienced that, I thought the same thing was happening with “Desert Warrior”. Aware of the fact that the supposed producer and the script-writer of the movie (known as Sam Bassil) was a foreigner (thanks to his accent), I thought that the original script was written in his native tongue and that not all scenes were translated into English. Also, the filming dates of the movie had to be rescheduled last minute to fit my schedule (I had other films to do right after the “Desert Warrior” outside CA). Because of this rushed rearrangements, I thought that the production first forgot and then did not consider it necessary to send me the script, and again – I did not find this unusual, since I knew what role I had, I knew about my character and I knew about the story of the film.
My character Hilary was a young girl who is sold (against her own free will) by her parents to a tribe leader known as GEORGE. She is one of his (most likely, the youngest) brides in the movie.
The film was about a comet falling into a desert and different tribes in ancient Egypt fighting to acquire it for they deemed that the comet possessed some supernatural powers.
The movie that we were doing in Duarte was called “Desert Warrior” and it was a fictional adventure drama. The character GEORGE was a leader of one of those tribes fighting for the comet.
There was no mention EVER by anyone of MUHAMMAD and no mention of religion during the entire time I was on the set. I am hundred percent certain nobody in the cast and nobody in the US artistic side of the crew knew what was really planned for this “Desert Warrior”.
The atmosphere at the set was as friendly as possible. We all knew that we were doing an adventure drama for a very low budget financing. The director Alan Roberts even had plans that with this low budget product he would be able to get some more money to make a good quality version (by shooting it in the real desert and having better product in every category) of the “Desert Warrior”.
I had interactions with the man known as Sam Bassil on the set. He was very amiable, respectful, soft-spoken, always making sure that the filming was running smoothly and everyone was satisfied. He even told me the premiere of the movie was going to happen sometime soon and I would get a good amount of tickets to invite my friends and family.
I have never been informed about the premiere after that (if it ever happened) and have not seen the final product (if there is any, except for the short one that is uploaded online).
People ask what’s my reaction after seeing that.
Shock.
Two hours after I found out everything that had happened I gave Inside Edition an interview, the duration of which I could not stop crying.
I feel shattered.
People who were tricked into believing that we were making an adventure drama about a comet falling into a desert did nothing but take part in a low budget indie feature film called the “Desert Warrior” that WAS about a comet falling into a desert and tribes in ancient Egypt fighting to acquire it.
It’s painful to see how our faces were used to create something so atrocious without us knowing anything about it at all. It’s painful to see people being offended with the movie that used our faces to deliver lines (it’s obvious the movie was dubbed) that we were never informed of, it is painful to see people getting killed for this same movie, it is painful to hear people blame us when we did nothing but perform our art in the fictional adventure movie that was about a comet falling into a desert and tribes in ancient Egypt fighting to acquire it, it’s painful to be thought to be someone else when you are a completely different person.
Like I explained to Inside Edition, I feel awful.. I did not do anything but I feel awful.
I feel awful that a human being is capable of such evil. I feel awful about the lies, about the injustice, about the cruelty, about the violence, about the death of innocent people, about the pain of offended people, about the false accusations.
I don’t know what else to do but speak the truth. I will not go into hiding (since I have nothing to hide), because if we don’t speak the truth, there is no world worth living for.

Why I Have Time and Energy for Twitter…

Twitter and ‘locality’

The other day Richard Drayton asked a number of us on Facebook a provocative question: “…why do you commit the energy and time you do to Twitter?”…

I proffered a number of reasons but chief among them is what i think of as ‘locality’; how Twitter gives you the ability to tune in to any locality you wish as long as there are people from there on Twitter. This means that I’m now in touch with events, opinions and news from Pakistan, that shoulder that was chopped off the torso of India in 1947 leaving the citizens of both countries strangers to each other. Some of my favourite tweeple are the tweeters from Pakistan i follow, chief among them @BhopalHouse. This morning she tweeted the link to the post below which offers a perspective on the rage sweeping through the so-called Middle East that I’m happy to have come across. It offers a neat counter to international media narratives of overheated Muslims succumbing to irrational rage threatening to take us all back to the so-called Middle Ages…

Pakistan’s Day of Moderate Disapproval

“The world has clearly gone crazy. That a lame movie trailer (does the actual movie even exist?) made in the US by some kind of Coptic Christian can induce people to attack branches of KFC or the German embassy in Khartoum is simply too bizarre for comprehension.

So can I just point out the fine example of Pakistan for a moment. This country, usually portrayed as a steaming cesspit of crazy, beard-wearing nutcases intent on destroying the West, managed to broadly treat the “Innocence of Muslims” movie trailer with the contempt it deserved, for the most part ignoring the amateurish provocation for what it was.”

For more look here

PS: This blogpost was clearly premature. Within a few days there were violent protests all over Pakistan. Read an account of the US consulate being stormed here.