A new cadre of investigative journalists

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Zahra Burton of 18 Degrees North

Have been forgetting to update Active Voice with my Gleaner columns. This one is from August 9.

Jamaica consistently ranks highly in global press freedom rankings, yet seems to exploit that freedom too little. There’s a burning need for hard-hitting, in-depth journalism exposing and stemming the rampant white collar crime and corruption we live with yet it’s something our media houses don’t focus on enough, a state of affairs in itself worthy of serious investigation.

So it gladdened my heart when freelance journalist and writer Kate Chappell recently brought a community journalism training program titled Building a Journalist With Integrity and Impact to my attention. Chappell, along with Zahra Burton of Global Reporters for the Caribbean, has been working with Omar Lewis, Civil Society Coordinator at National Integrity Action (NIA) and Ian McKnight, Chief of Party USAID COMET II, to train about 30 community members in investigative journalism and will be publishing 10 pieces (in print, radio and television outlets such as ROOTS FM, MORE FM, The Gleaner and POWER 106) produced by the novice journalists in the next few weeks. The aim of the program is to cultivate investigative skills as well as to hold authorities accountable by using tools such as the Access to Information Act (ATI).

Zahra Burton as many of us know is the star reporter of 18 Degrees North, a TV news magazine inspired by shows such as CBS’s 60 Minutes and ABC’s Nightline. With Zahra’s rigorous approach to journalism and Chappell’s organizational and empathic skills, and the help of mentors such as Dennis Brooks and Kalilah Reynolds, fourteen women and 13 men with a mix of educational levels, mostly in their 20s and 30s, were trained at the end of April and have spent the last three months researching, interviewing, writing and putting together pieces to air or be published in media outlets.

The project coordinators were interested in training community members to report on what happens in their communities with a particular interest in good stories that hold people to account, instead of the standard media fare of “Everybody a tief and rape and kill each other”. One story involved churches and noise pollution. One day Burton received a call from the veteran dub poet Oku Onoura in Portmore saying “18 degrees North I have a story for you…” The story involved a church near Onoura’s house making intolerable noise that he wanted help in curbing. The group investigated the situation and produced a story with a clever lead in: “Oku Onuora has been attending church every Sunday morning, though not by choice. He goes up to four times a week depending on when his neighbour, Harvest Temple Apostolic, chooses to meet.”

“So we’re trying to do the kinds of stories that maybe people do want to tell, but that maybe another outlet may not be interested in because it’s too small an issue, it’s too big an issue, it’s too rural an issue,” said Burton who also arranged for a screening of the film Spotlight, some months ago in Kingston, which focused on the Boston Globe’s exposure of child sexual abuse in the Catholic Church.

I spoke to two participants from the training program, Sharlene Hendricks and Jamaila Maitland, both of whom had studied at CARIMAC. Sharlene described the investigative journalism training as exceptional, especially learning to use the ATI Act to pry out information from tight-lipped government ministries and agencies. A resident of Rae Town in downtown Kingston, Sharlene focused on the adverse effects of the dredging of Kingston Harbor on fishermen who were being insufficiently compensated for the reduction in their fish catch by Kingston Freeport Terminal Limited (KFTL), the entity doing the dredging.

Sharlene’s team started by finding out the process by which fishermen would be compensated, under what legislation the dredging was being undertaken and the terms of the beach license granted. Some of this was obtained from NEPA but the ATI request to KFTL revealed that the company was private, not government-owned which meant that they had to be persuaded to release information. Charlene and her team were eventually successful in getting the information they wanted.

Another aspect of the Rae Town story was environmental as it seemed KFTL was dumping what it was dredging up, in the community, silting up archaeological sites in the process, but doing so legally with NEPA’s permission. An examination of the weekly reports KFTL was required to make showed that complaints were being registered but NEPA advised KPTL to ignore these and proceed, as the beach license granted them leeway to dump there! While NEPA’s ATI officer was forthcoming, Sharlene was unable to get a comment from someone senior at NEPA in charge of monitoring KFTL, a problem Chappell said many of the trainees had when attempting to get interviews with those in charge.

Jamila Maitland and her team’s TV report stemmed from a budget speech made by PM Holness in 2016 after a number of women were brutally murdered by their partners, in which he promised there would be a domestic violence coordinator in every police station in the country. Calls made to 40 police stations a year later revealed only one domestic violence coordinator in place.

Kudos to all concerned for this much-needed fillip to local journalism.

TehelkaGate–Tarun Tejpal’s casting couch tactics

A peep into the scandal hanging over Tehelka, India’s premier investigative newmagazine.

The following tweet by one of my favourite writers @Sidin amused me this morning: “No Country For Editors.”

His epigrammatic quip came in the wake of the third resignation/firing in a month of a top Indian editor: first there was Siddhartha Varadarajan of the Hindu, then there was Hartosh Singh Bahl of Open magazine and today the sensational ‘recusal’ of Tarun Tejpal, the founder editor of India’s number one investigative, muckraking magazine–Tehelka. The first two are widely believed to have been politically motivated, but the Tejpal case is a different kettle of fish altogether. The prominent editor is accused of having assaulted a junior journalist not once but twice, according to reports, suggesting she comply with his desires if she valued her job. The assaults are said to have taken place in a hotel elevator in Goa where a team from Tehelka was working on Thinkfest, a forum started by the magazine.

Early reactions suggest that Tehelka might try and treat this as an “internal affair” with the Managing Editor Shoma Chaudhury dismissing it as “an untoward incident.” The problem with this is that Tehelka is now behaving exactly as the targets of the numerous stings it has become famous for do, being evasive, euphemistic and tight-lipped. “I don’t know how this concerns you…I don’t think you can ask me these questions,” Chaudhury is reputed to have said in response to a reporter’s probing queries. Will Tehelka editors ever have the moral authority to demand answers from public officials and others in the wake of TehelkaGate?

The following tweets speak for themselves–Let’s see what tomorrow brings. I hope the young woman in question has the strength to recover from all this. She has been very brave to come forward and talk about what happened. It would be great if other women who have experienced similar traumas, either at the hands of Tejpal (surely this wasn’t an isolated incident) or others, would step forward now and make their stories public. The brave young journo wouldn’t feel so lonely then.

nitin gokhale @nitingokhale
#Tejpal episode. All that we in the media accuse others of, on display here: double standards, fake morality, refusal to submit to law.

Kanchan Gupta @KanchanGupta
Surprised that editor of rag excelling in stings, snoops and slander was unaware that hotel lifts have CCTV cameras!

Sonia Faleiro @soniafaleiro
Looking forward to Tehelka’s expose on sexual harassment in the workplace.

Sidene Wengerkut @sidin
…You live by the broad brush. You die by the broad brush.

Doubletake: First Mattathias Schwartz, Now Dan Rather. What ails Jamaican media?

After Dan Rather’s in-depth coverage of the Lotto Scam in Jamaica might it be a good time to ask why local media doesn’t produce similarly aggressive, investigative reporting?


News outlets in Jamaica this week were inundated with coverage of  and responses to the US media’s unprecedented focus on the Lotto Scam, a locally generated con game, whose victims are elderly Americans. Former 60 Minutes stalwart Dan Rather visited Jamaica some weeks ago so his in-depth exposé of the scam, Just Hang Up, which aired on March 12, complete with heart-rending interviews with some of the victims didn’t come as a surprise. The documentary was timed to air in tandem with evidence presented to the US Senate’s Committee on Ageing yesterday. At least two  other major US channels also aired stories on the scam.

The US Embassy in Jamaica obligingly posted links on Facebook with the following note:

As you are aware, there has been a great deal of U.S. media attention focused on advanced-fee fraud (also known as “lotto scams”) recently. Below are the links to the Dan Rather, CBS and NBC stories.

I haven’t yet seen the entire documentary featuring Rather (its available free on iTunes though only in the US not in Jamaica) but the excerpts shown on TV here have been riveting. The American TV team even lured a scammer, tracked down by his IP address, to a meeting in Montego Bay, showing him live and direct for all to see. Naturally the impact has been sensational especially because this well-crafted documentary was shown on prime time TV in the United States. It suddenly came home to Jamaicans that ‘Brand Jamaica’, as local technocrats and the media in general have taken to calling it, was going to take a battering.

Relying on tourism and American visitors as much as Jamaica does this could be potentially devastating.

What does it mean that serious crimes like the Lotto Scam and the Tivoli genocide (the 2010 killing of 73 plus citizens by the State in its pursuit of fugitive don, Christopher Coke) are exposed by foreign not local media I asked on Twitter yesterday. For although the media here has carried any number of stories on the Lotto Scam, many of them bizarrely claiming that most of the scammers are gay, we’ve never been given a true idea of the scale of the problem, affecting enough Americans for their political representatives to start raising the alarm about it.

Several media folk I follow on Twitter reacted negatively to my question, interpreting it as a slight or a claim that there had been no local media attention to the scam. It s true that there have been many stories about the Lotto scam here. To my mind however there’s a qualitative difference in the way the story was investigated and reported on American TV and the way it’s been carried in the local media which mainly focused on the scam when police action brought it to the forefront. Piqued by public criticism Simon Crosskill played some of CVM’s previously aired coverage of the Lotto Scam last night. It did cover much of the same ground as Rather’s documentary but the audio was poor and too many of the people interviewed had their faces obscured and voices disguised, thus robbing it of the impact it could have had.

Are there some stories local media consider too dangerous to touch? or don’t have the resources to I wondered puzzling over this variance in the quality of media coverage. In the case of the 2010 Tivoli carnage also there had been nothing in local media to approach the in-depth investigative article by American journalist Mattathias Schwartz whose exposé provided evidence that the US had given Jamaica military assistance in the May 2010 incursion into Tivoli despite the Jamaican government’s claims to the contrary. In both cases it was the American media that brought these stories to international attention, and sustained interest in them, not local media.

Let it be noted that Jamaican media are perfectly capable of executing well-researched, hard-hitting, in-depth stories when they’re ready to. In 2004 Cliff Hughes’s TV programme Impact won an Emmy in the United States for its documentary on sniper Lee Boyd Malvo called ‘The Potter and the Clay’. It was so good it not only attracted the attention of the US media, it won one of the most coveted journalism awards there. Other journalists such as Earl Moxam, Simon Crosskill, Dionne Jackson-Miller and Emily Crooks are as good as or better than their American peers.

Is it that there’s a lack of political will from the big media houses to provide the best journalists with the required resources and time to follow up the really important stories? Or are there more sinister reasons why Jamaica doesn’t have aggressive, exposé-driven investigative news outlets such as 60 Minutes and ABC’s 20/20?

The closest thing Jamaica has had in recent times to similar hard-hitting TV newsmagazines, was Doubletake, produced by Anthony Miller and CARIMAC lecturer Yvette Rowe for TVJ in 2000-2001. Despite winning awards the programme was phased out after only 8 or 9 episodes because it was considered too hard hitting and perhaps too close to the truth for comfort. It was felt that the broadcasters’ relentless focus on corruption and calling out politicans and others without fear or fanfare was ‘mashing too many corns’. This was the perception of the hosts of the programme; the station apparently discontinued it for lack of sponsorship although it was extremely popular and well-received by the public. Why a popular, well-made documentary programme would have difficulty finding sponsors is anybody’s guess. But it reinforces the point I’m making about the lack of will on the part of those with the means to enable and sustain high quality, hard-hitting journalism.

Among other subjects Doubletake covered, were the death and funeral of Grants Pen area leader Andrew Phang in Death of a Don, colour and race issues in The Browning Syndrome, the politics of the 100 Lane Massacre and other such matters. Whatever was the issue of the day was grist for their mill and with a miller like Anthony, no holds were barred. We desperately need a show like Doubletake again.