Parsing Vybz Kartel’s Sentence

A pretty thorough account of the salient points of the Vybz Kartel trial along with background information.

 

Often in the course of his prolonged trial I found myself wondering if the rollercoaster life of Adidja Palmer aka Vybz Kartel was scripted by someone channeling Breaking Bad, the wildly popular American TV series about the rise and fall of a chemistry teacher turned meth dealer.  By the time the trial ended I knew it was nothing of the sort, just another wickedly original Jamaican libretto. Described by some as the country’s pre-eminent lyricist, for more than a decade Kartel ruled the roost in Jamaica as its reigning dancehall deejay (”a genre that is to the roots reggae of Bob Marley as hip-hop is to R&B”), his street cred extending far beyond Kingston, into the nooks and crannies of ghettoes all over the Caribbean, into urban America and as far away as Africa where his Gaza Empire has spawned copycats.

By late 2013 Vybz Kartel, 38, was being portrayed by the police and the justice system as Public Enemy No. 1. His fame and fortune notwithstanding, on April 3, 2014, Adidja Palmer was sentenced to life in prison with no parole possible before 35 years, after the court gave itself an extra week to determine whether the embattled DJ should be allowed to make music while incarcerated.  He had been found guilty almost 3 weeks earlier, along with three others, of the murder of one Clive ‘Lizard’ Williams, a dancer and foot soldier in the small army of roughly 30 men that constituted Vybz Kartel’s entourage. These men ensured that Kartel’’s interests were looked after and his bidding done at all times.

Courtroom runnings

It was a dramatic trial with twists and turns that kept the nation in suspense till the very end. As the Prosecution laid it out, Lizard ran afoul of the popular deejay because he and Chow, another member of the entourage, were given two of Kartel’s (illegal) guns, then failed to produce them when asked for their return.  After several futile attempts to get the guns back, Lizard and Chow were summoned to Kartel’s house where there was a confrontation between them and Kartel’s cronies. Chow managed to get away, later becoming the Prosecution’s star witness, but Lizard was bludgeoned to death.

Although the hapless dancer’s body has yet to be found Vybz Kartel and six members of his entourage were taken into police custody in September 2011. Kartel’s defence team made repeated attempts to secure bail for him but were systematically rebuffed on the grounds that the Police had good reason to believe he would try and leave the country if granted bail. Rumours were rife that the reason for this unprecedented incarceration was that the police had incontrovertible evidence, including video footage taken from the deejay’s phone, that incriminated Adidja Palmer and his co-accused.

The swirling rumours proved to be true. The trial was prosecuted largely on circumstantial evidence— involving sensational  Blackberry messages, video footage and voice notes downloaded from the deejay’s cellphone in which Kartel’s voice could be heard making threats about what he would do if the guns, coded as ‘shoes’ weren’t returned. ‘If dem want dem fren fi live dem fi return mi shoes’ he is heard to say on Voice Note 2. In other messages he asks for information on countries he might travel to, the Bahamas for instance, lending credence to the Police’s concern that he might skip bail if granted it.

The Defence team did not dispute that the voice heard in the notes was Kartel’s. Instead their strategy was to prove that the cellphones in question had not been properly secured by the police, who were careless about maintaining the chain of custody, making it possible for the notes to have been tampered with or manipulated. They also proved that other key items of evidence such as a backup disc provided by the phone company and a notebook belonging to a policeman witness had gone missing. They were able to show also that Kartel’s phone had been used three hours after being taken into police custody.

The long and tension-filled trial lasted nearly four months, ending suddenly on March 13, on the sixth day of the Judge’s summation, after a juror was accused of attempting to bribe the foreman of the jury and fellow jurors. Despite this dramatic development, which might have derailed the case had the Judge called for a mistrial, the trial was hastily concluded with the jury delivering a ten to one guilty verdict.

Judge Lennox Campbell’s instructions to the jury explained the legal doctrine to be used in deciding Vybz Kartel’s guilt—that of common design. After all there was no direct evidence to prove that the deejay himself had participated in the murder. As Judge Campbell explained “…The scope was to kill Clive Lloyd Williams for the loss of a firearm. The law of Common Design is – as long as you participate knowing that was the ultimate end it doesn’t matter that you didn’t pull the trigger; it doesn’t matter that you didn’t wield the knife; it doesn’t matter that you didn’t administer the poison. Common Design can encompass a person at a gate as look out man for the police. As long as he’s there to look out, he can be charged for murder.”

The kind of security put in place by the Jamaican Police on the day of the verdict and again on the day of the sentencing, suggested that this was the trial of someone far more important than a mere music personality.  The Police blocked major roads leading to the Supreme Court in downtown Kingston, placed Police personnel in riot gear at strategic points and patrolled the area around the court with mounted Police. The diminutive Judge, known informally as Little Lenny, appeared in court flanked by four bodyguards.

During the final days of the trial American rapper Busta Rhymes attended court in a show of support for Vybz Kartel. Notably absent was anyone from the local music fraternity among whose ranks there did not appear to be much sympathy for the beleaguered DJ or sorrow over his fate. Although a large crowd had appeared outside the courtroom shouting ‘No Teacha, No school’ on the day of the verdict (a reference to Kartel ‘s nickname–‘The Teacher’) and the days leading up to it, on sentencing day there was only a modest crowd in attendance outside. The elaborate preparations made by the Police seemed like overkill.

#VybzKartel still represents #Calabar, as seen in this photo taken today after his sentencing #VybzKartel still represents #Calabar, as seen in this photo taken today after his sentencing
Vybz Kartel still represents his old high school Calabar, as seen in this photo taken today after his sentencing. Photo: @Dre1allianceEnt

 Vybz Kartel: DJ or Don? or both?

So what was the secret of Vybz Kartel’s success I asked Anthony Miller, producer of Television Jamaica’s weekly Entertainment Report, the definitive news source on Jamaica’s volatile music industry. His answer was:

The smartness, the nimbleness of mind; Kartel could string words together. In terms of that hip hop flow, spitting lyrics, he was the quickest and the nimblest and easily the most brilliant. He was the lyrical genius of his generation who flooded the Jamaican market with music. He delivered the social commentary but he also gave the public fun and games with his song about Clarks shoes (which caused a spike in sales for the company) and Ramping Shop which was banned from Jamaican airwaves for its raunchy lyrics. He outraged every sensibility in Jamaica and then he started to bleach. He always had an avalanche of new material. But there was also a sinister element, a darker element. He overreached by flying in the face of the establishment in Jamaica, by continually goading them. He always flew in the face of authority.

Opinions about Vybz Kartel vary depending on the demographic of the person you’re speaking to. Nicknamed World Boss and Addi the Teacher or ‘Teacha’ by his adoring fans his phenomenal popularity made him the envy of politicians though he didn’t kowtow to their demands. On the other hand Kartel was known to hobnob with top dons or gang leaders like Tesha Miller of the Klansman gang and Christopher ‘Dudus’ Coke whose sensational arrest and extradition to the United States occupied international news for weeks in 2010.

“A lot of DJs see themselves as dons; the don is the model, so they behave like dons. Dons have the power, they have the girls and DJs are in the best position to become dons because they have the constituencies, “ says Anthony Miller.

According to ethnomusicologist Dennis Howard the nexus between political dons and musicians in Jamaica goes back to the very roots of Reggae and Dancehall. It was a symbiotic relationship, the musician needed the support of the don who often demanded a ‘big up’ while the don fed off the popularity of the singer. The globally celebrated singer Bob Marley himself was friends with a number of dons/gang leaders across the political divide so Kartel’s association with gang leaders and the underworld was by no means unprecedented. The problem was that with Kartel there no longer appeared to be a distinction between the two.

In 2009 when Vybz Kartel fans (Gaza) clashed violently with rival deejay Mavado’s fans (Gully), the two were summoned to a meeting with then Prime Minister Bruce Golding but the only person who could rein them in was Prezi–short for President– Tivoli Gardens enforcer Dudus who forced the two deejays to publicly end their hostilities at his annual stage show ‘West Kingston Jamboree’.

While Mavado seemed to heed the pleas of the government and the Police to reform himself Kartel continued along the path he had chosen, thumbing his nose at the police and Jamaican society while continuing to parlay his carefully cultivated notoriety into profits. He now diversified into other products such as a line of clothing, bleaching soap and his own rum. Perhaps the last straw for the police was the much hyped launch of Kartel’s own show, Teacha’s Pet, “a reality TV dating show surrounding the love life and career of the Artiste Vybz Kartel.” Within a few weeks of the airing of the show Kartel was arrested and the show discontinued.

Public Enemy No. 1

Why were the Jamaican police so single-minded in their determination to put Vybz Kartel behind bars? Why was he considered such a menace to society? Again stories abound. The Minister of Justice, Peter Bunting, had been touring Montego Bay, center of the vicious Lotto Scam conglomerate, which preys on elderly American citizens, scamming them out of thousands of dollars of their savings each year. In fact the Minister was under pressure from the Americans to smash the criminal enterprise. As he visited area after area he was told by residents in each community that he should go easy on the scammers because what they were doing was, after all, merely a form of reparation–collecting monies due the citizens of Jamaica for the years of free labour provided during the era of plantation slavery.

When the astonished Minister enquired further into the source of such unorthodox views he was referred to a song by Kartel called ‘Reparation’ with the catchy refrain ‘Dem call it scam,
Mi call it reparation’.

Foreign exchange is good fi di country
Franklyn, USA, Sterling England
Every Ghetto yute fi a live like di big man
Mansion bigger than Hilton

The catchy tune was even quoted by American TV host Dan Rather in a 60 Minutes expose of Jamaica’s Lotto Scam, adding to the pressure on the Jamaican government to rein in the criminal elements who were preying on America’s elderly. Although Kartel’s lyrics were never explicitly used against him in the trial, they would have been on virtually constant rotation in the minds of the Judge, Jury and Prosecution. In addition to the song about Reparations there were any number of gangster lyrics issuing from the prolific hit machine known as Vybz Kartel.

Perhaps the thing that most cemented Kartel’s image as a demonic creature who had to be contained for the safety of the public was his unconventional appearance, aided by the increasingly visible tattoos embellishing his bleached skin. This more than anything literally marked Kartel as a devil-worshipper in the eyes of fundamentalist Christian Jamaica. As if he realized this, Kartel addressed the issue as soon as he was given a chance to speak for himself in court.

My Lord, I bleach my skin, I am heavily tattooed also but that is merely superficial. That is a part of the persona of Vybz Kartel not Adidja Palmer. I am a normal person like anyone else.

In interviews Kartel would often refer to himself in the third person, drawing a distinction between himself, Adidja Palmer, the responsible father and citizen and his more reckless deejay persona, Vybz Kartel. There was a market demand for a character such as Vybz Kartel, he explained, and Palmer was going to exploit the lucrative niche—after all he had children to feed.  His 2012 book, The Voice of the Jamaican Ghetto, begins by saying, “I start this book in the same way that I start each day of my life, with a Thank you Jah for giving me, Adidja Palmer, the inspiration to be Vybz Kartel. “

Gaza

Inspired by Jay-Z’s 2010 autobiographical narrative, Decoded, Kartel’s book, co-written with Michael Dawson, is a combination of lyrics, their interpretations, anecdotes, philosophical reflections, and autobiographical information. Written very much in the mode of a teacher analyzing and explaining the world, it was also a resounding call–Gaza mi seh!–for ghetto people everywhere to get together and stand up for their rights. “Its not a moral war, it’s a financial war, dem nuh waan ghetto yute fi have house n car,” goes the catchy line from one of his songs. “Incarcerated but not silenced” and “I pray this book helps to change Jamaica forever,” say blurbs on the cover with an image portraying Kartel as a Malcolm X type figure.

Some think the book was published because Palmer knew he had to lay the groundwork to shift public perception of himself as a common criminal. That may be so but in the process he managed to harness a cynicism about the system—coded as Babylon in Jamaican parlance—that has great currency. Though his music is viewed as having no explicit political message his concept of ‘Gaza’ has the resonance that rival DJ Mavado’s ‘Gully’ never had though both are metaphors for the underclass that spawned both musicians.

Vybz Kartel flashes the ‘Gaza’ sign as he exits the Supreme Court in downtown Kingston yesterday. The entertainer was given life imprisonment with the possibility of parole after 35 years for his role in the August 2011 murder of Clive ‘Lizard’ Williams. (PHOTO: BRYAN CUMMINGS)
Vybz Kartel flashes the ‘Gaza’ sign as he exits the Supreme Court in downtown Kingston yesterday. The entertainer was given life imprisonment with the possibility of parole after 35 years for his role in the August 2011 murder of Clive ‘Lizard’ Williams. (JAMAICA OBSERVER PHOTO: BRYAN CUMMINGS)

Gaza is the name Kartel gave the locality he comes from in Waterford, part of the bedroom community of Portmore, on the outskirts of Kingston. Inspired by the fierceness of the inhabitants of the original Gaza Strip in Palestine, Kartel adopted the name of this embattled settlement in the Middle East, and the shibboleth of his supporters around the world became Gaza mi seh! Usain Bolt has been one of Kartel’s most avid fans not allowing other deejay’s music to be played at his parties and giving the Gaza sign whenever he was in the limelight. Many of Jamaica’s top athletes are Gaza fans though they may be slowly backing away now.

Perhaps the best way to understand Gaza is to see it as a new identity–underpinned by a Ghetto pride ideology–a defiant “Yes, we’re from the ghetto and we’re proud of it” stance. Although Kartel intended Gaza as a response to the lopsided landscape of opportunity in Jamaica that renders the poor socially invisible, the concept rapidly grew legs and migrated all over the world, an indication both of his talent and the globalization of inequality that disproportionately affects ghetto-dwellers worldwide.

The ‘Shit-stem’

While the Jamaican judiciary jubilantly celebrated Vybz Kartel’s guilty verdict and sentencing as a resounding victory for itself it is worth noting that alleged crime boss and head of the Shower Posse Christopher ‘Dudus’ Coke, now serving a 23 year sentence in the US,  was never charged or prosecuted for breaching the law in Jamaica where he lived. Similarly David Smith, who defrauded investors across Florida and the Caribbean out of more than US$220 million was sentenced to 30 years in federal prison in the US. Although he operated out of Jamaica, Smith like Coke, was never charged or prosecuted for any crime or misdemeanor in Jamaica.

And then less than a week after the guilty verdict was announced in the Kartel case, Kern Spencer, a young politician belonging to the ruling party, was found not guilty of significant fraud and money-laundering charges in relation to the distribution of energy-saving light bulbs, a gift from the Cuban Government. The Director of Public Prosecutions herself expressed shock at the verdict saying that the evidence against him had been overwhelming. But for most people the Kern Spencer verdict was par for the course. You can count on the fingers of one hand the number of politicians, police and big businessmen who have ever been convicted of any crime in Jamaica.

Jamaican Police and the country’s legal system now have to prove to cynical Jamaicans that they not only have the will and drive to successfully bring rogue DJs to book but also the numerous rogue policemen, politicians and businessmen still at large. If not, as Kartel’s song ’Sup’m a go happen’ warns Jamaica could be on the brink, like Egypt, like Tunisia before it, of ‘something happening’.

Kartel’s defence team will now prepare to appeal the verdict and the sentence. For them what was unique about this trial was the unprecedented use of digital evidence by the Prosecution. The irony of course is that had Kartel simply used a code to lock his phone the Police could never have got into it to find the incriminating evidence they did. The deejay’s lead attorney Tom Tavares-Finson told me days before the sentencing that he expected Kartel to be sentenced to 35 years. They were already focused on the appeal. Tavares-Finson is hopeful that since he has been requesting and receiving transcripts of the court’s proceedings on a daily basis, he has about 80% of what will be needed to mount the appeal in hand already. He thinks Adidja Palmer stands a good chance of having the guilty verdict overturned by the higher court and his client is of the same mind. As the twitter account known as Adidja A. Palmer @iamthekartel tweeted:

GazaArmy. we nuh deh pon nuh mourning ting .Addi said “Justice how ever long it takes will prevail,a so Haile Selassie sey.”so we a move fwd

POSTSCRIPT: Since the sentencing of Adidja ‘Vybz Kartel’ Palmer and his co-accused on April 3 there have been some interesting developments. The very same day the Police High Command issued a statement detailing among other things the security challenges they had faced in the course of the trial and the numerous “attempts to pervert the course of justice” they had been confronted with. It now is much clearer why they were so determined to put Adidja Palmer behind bars.

Another interesting piece of information came from Shawn Storm’s attorney Miguel Lorne, who revealed that his client had been offered a plea bargain that would have resulted in a much reduced sentence for him. His client turned down the offer, sticking by Vybz Kartel and in the process, also receiving a life sentence.

And yes it’s true. Kartel’s lawyer, Christian Tavares-Finson IS the half-brother of Junior Gong or Damian, Bob Marley’s youngest son. Lead attorney Thomas Tavares-Finson who headed the defence team was once married to Cindy Breakspeare, whose son with Bob Marley he helped raise. Tom and Cindy have two children of their own, Christian and Leah. Incidentally Tavares-Finson Sr. is a highly sought after criminal lawyer with a star-studded list of former clients such as Grace Jones, Gregory Isaacs, Big Youth, Bounty Killer, Mavado, Sean Paul and Shabba Ranks, who retained him to defend them against charges ranging from cocaine possession to ‘using profanity’, a uniquely Jamaican offence. In more recent times Tavares-Finson, also an Opposition Senator, was most wanted Christopher ‘Dudus’ Coke’s lawyer until forced to step aside due to his political obligations.

Doubletake: First Mattathias Schwartz, Now Dan Rather. What ails Jamaican media?

After Dan Rather’s in-depth coverage of the Lotto Scam in Jamaica might it be a good time to ask why local media doesn’t produce similarly aggressive, investigative reporting?


News outlets in Jamaica this week were inundated with coverage of  and responses to the US media’s unprecedented focus on the Lotto Scam, a locally generated con game, whose victims are elderly Americans. Former 60 Minutes stalwart Dan Rather visited Jamaica some weeks ago so his in-depth exposé of the scam, Just Hang Up, which aired on March 12, complete with heart-rending interviews with some of the victims didn’t come as a surprise. The documentary was timed to air in tandem with evidence presented to the US Senate’s Committee on Ageing yesterday. At least two  other major US channels also aired stories on the scam.

The US Embassy in Jamaica obligingly posted links on Facebook with the following note:

As you are aware, there has been a great deal of U.S. media attention focused on advanced-fee fraud (also known as “lotto scams”) recently. Below are the links to the Dan Rather, CBS and NBC stories.

I haven’t yet seen the entire documentary featuring Rather (its available free on iTunes though only in the US not in Jamaica) but the excerpts shown on TV here have been riveting. The American TV team even lured a scammer, tracked down by his IP address, to a meeting in Montego Bay, showing him live and direct for all to see. Naturally the impact has been sensational especially because this well-crafted documentary was shown on prime time TV in the United States. It suddenly came home to Jamaicans that ‘Brand Jamaica’, as local technocrats and the media in general have taken to calling it, was going to take a battering.

Relying on tourism and American visitors as much as Jamaica does this could be potentially devastating.

What does it mean that serious crimes like the Lotto Scam and the Tivoli genocide (the 2010 killing of 73 plus citizens by the State in its pursuit of fugitive don, Christopher Coke) are exposed by foreign not local media I asked on Twitter yesterday. For although the media here has carried any number of stories on the Lotto Scam, many of them bizarrely claiming that most of the scammers are gay, we’ve never been given a true idea of the scale of the problem, affecting enough Americans for their political representatives to start raising the alarm about it.

Several media folk I follow on Twitter reacted negatively to my question, interpreting it as a slight or a claim that there had been no local media attention to the scam. It s true that there have been many stories about the Lotto scam here. To my mind however there’s a qualitative difference in the way the story was investigated and reported on American TV and the way it’s been carried in the local media which mainly focused on the scam when police action brought it to the forefront. Piqued by public criticism Simon Crosskill played some of CVM’s previously aired coverage of the Lotto Scam last night. It did cover much of the same ground as Rather’s documentary but the audio was poor and too many of the people interviewed had their faces obscured and voices disguised, thus robbing it of the impact it could have had.

Are there some stories local media consider too dangerous to touch? or don’t have the resources to I wondered puzzling over this variance in the quality of media coverage. In the case of the 2010 Tivoli carnage also there had been nothing in local media to approach the in-depth investigative article by American journalist Mattathias Schwartz whose exposé provided evidence that the US had given Jamaica military assistance in the May 2010 incursion into Tivoli despite the Jamaican government’s claims to the contrary. In both cases it was the American media that brought these stories to international attention, and sustained interest in them, not local media.

Let it be noted that Jamaican media are perfectly capable of executing well-researched, hard-hitting, in-depth stories when they’re ready to. In 2004 Cliff Hughes’s TV programme Impact won an Emmy in the United States for its documentary on sniper Lee Boyd Malvo called ‘The Potter and the Clay’. It was so good it not only attracted the attention of the US media, it won one of the most coveted journalism awards there. Other journalists such as Earl Moxam, Simon Crosskill, Dionne Jackson-Miller and Emily Crooks are as good as or better than their American peers.

Is it that there’s a lack of political will from the big media houses to provide the best journalists with the required resources and time to follow up the really important stories? Or are there more sinister reasons why Jamaica doesn’t have aggressive, exposé-driven investigative news outlets such as 60 Minutes and ABC’s 20/20?

The closest thing Jamaica has had in recent times to similar hard-hitting TV newsmagazines, was Doubletake, produced by Anthony Miller and CARIMAC lecturer Yvette Rowe for TVJ in 2000-2001. Despite winning awards the programme was phased out after only 8 or 9 episodes because it was considered too hard hitting and perhaps too close to the truth for comfort. It was felt that the broadcasters’ relentless focus on corruption and calling out politicans and others without fear or fanfare was ‘mashing too many corns’. This was the perception of the hosts of the programme; the station apparently discontinued it for lack of sponsorship although it was extremely popular and well-received by the public. Why a popular, well-made documentary programme would have difficulty finding sponsors is anybody’s guess. But it reinforces the point I’m making about the lack of will on the part of those with the means to enable and sustain high quality, hard-hitting journalism.

Among other subjects Doubletake covered, were the death and funeral of Grants Pen area leader Andrew Phang in Death of a Don, colour and race issues in The Browning Syndrome, the politics of the 100 Lane Massacre and other such matters. Whatever was the issue of the day was grist for their mill and with a miller like Anthony, no holds were barred. We desperately need a show like Doubletake again.