The Jamaican Nation and its Music

Two shows at the Institute of Jamaica reveal the disinterest in archiving the nation’s valuable collection of musical artefacts and safeguarding the history of this iconic popular music.

A rather strange table donated to the nation by Chen’s Furniture company at Independence
Curator of Jamaica 50: Constructing a Nation, Dr. Shani Roper, displaying a gift given by Trinidad to Jamaica in 1962
The flag of the short-lived Federation of the West Indies and a wooden bust of Queen Elizabeth carved by a Jamaican sculptor

Visited two very poignant exhibits last week at the Institute of Jamaica…Jamaica 50: Constructing a Nation and Equal Rights: Reggae and Social Change, a show of historic Reggae album covers. The first of these actually opened today and will be open till February 2013. Equal Rights opened a few weeks ago and is a gem of an exhibit offering visitors a chance to see some rare Reggae album covers; it should also stay up into 2013 so try and catch it. The LP sized catalogue should be a keeper with texts about the raison d’etre of the exhibit and information about the various periods in Jamaican music that are featured in the show. What struck me as immeasurably sad was the cramped space made available to archive, document and display the vast portfolio of music this country has produced. There is a whole alternative history contained in Jamaican music which really deserves better treatment by the state than it currently receives.

I always find myself shaking my head when i contrast the resources made available to house Jamaica’s rather slender visual art tradition in comparison to the slender resources made available to showcase Jamaica’s internationally renowned popular music. Mi cyaan believe it indeed, to echo Mikey Smith. Is this really what the nation thinks of the extraordinary music generated by its people? Is it because Jamaican music comes from the underprivileged segments of society that it gets such shoddy treatment? For a previous post on the subject go here.

Director of the Music Museum, Herbie Miller who curated Equal Rights
Miller surveying the tiny storeroom available to house the rich artefacts of Jamaica’s world famous music scene
These beautiful album covers from the Dermot Hussey collection donated to the Music Museum are at risk if not properly stored.

 

This faded, ragged poster of Usain Bolt draped in the nation’s flag is symbolic of the neglect of both downtown Kingston and the popular culture of its people

For more photos go here.

Author: Annie Paul

writer, editor and avid tweeter anniepaulose@gmail.com