A brief account of the 2012 Association of Caribbean Women Writers and Scholars (ACWWS) conference in Paramaribo, Suriname
The last few weeks have been filled with travel, and I’ve enjoyed moving from place to place much more than I usually do. The most recent trip was to Paramaribo in Suriname at the beginning of May. I was invited to be one of the featured speakers at the Association of Caribbean Women Writers and Scholars (ACWWS) annual conference, held this time in Paramaribo. We stayed at the charismatic Hotel Krasnapolsky, the site of the conference.
A highlight of this second trip to Suriname, for me, was hearing Cynthia McLeod, author of ‘The Cost of Sugar’ and one of the premier writers in Suriname regale us with stories of how she began writing, of her desire to write a ‘Gone With the Wind’ type historical romance set in Suriname, and being mistaken for a cook when she appeared at the grand building in Amsterdam where a subsequent book was launched.
Another highlight was the food, for Suriname is a gastronomer’s delight, with cuisines from Java, China, India, the local Creole and Dutch competing for your belly. The Garden of Eden in Paramaribo is the best Thai restaurant I’ve ever eaten at and Joosje Roti downtown saw me return several times with fellow conferencers in tow. The owner/manager there runs a tight ship, with roti and curry rolled out on trolleys, an ultraclean establishment and delectable Jalebis for dessert. Dumpling # 1 (yes, that’s the name of the restaurant) satiated my perpetual craving for dim sum and the amazing Indonesian restaurant we went to in the Javanese sector was something to remember (if anyone can tell me the name of the vine in the photograph above i’d be grateful).
The conference itself was well organized and a lot of fun. Another highlight was a book called Kuis (Chaste–in English) which had the most provocative cover i’ve seen in a while. About a goldsmith commissioned to design a chastity belt for a young woman the cover bore the image of a delicate diamond-studded gold chastity belt snaking around slender female loins. The actual chastity belt in the photograph was made by a South African jeweller for a client in London who ordered it for his bride to wear on their wedding night.
Unfortunately (for me) the book was in Dutch but the author Rihana Jamaludin read excerpts translated into English which sounded quite compelling. The book is a local reading choice for high school students who previously had to choose exclusively from Dutch titles. Not surprisingly its their top choice…
A report on Trinidad’s inaugural Bocas Lit Fest 2011, a literary festival. with photos.
I have so much work to do, so many deadlines to stop ignoring, but i know i won’t be able to do a thing unless i spit this post out of my craw.
Bocas was a blast. I am SO glad I went to the first edition of this literary festival in Trinidad which promises to be an annual ritual. I mean I couldn’t not go really, after all one of the organizers was longtime friend and fellow reader and reviewer Nicholas Laughlin of the Caribbean Review of Books. And Trinidad is a place i like to visit as often as I can, awash as it is with good friends, doubles, rum and roti…
I think what impressed me most about Bocas was the huge amount of corporate support it recieved and the media coverage. On its opening day, April 24th, 2011, the Trinidad Express even devoted an editorial to it titled, “Bocas connects T&T to literary world”:
This country has nurtured some of the finest writers in a region whose literature is celebrated all over the world. Not only the Nobel laureates Derek Walcott and Sir Vidia Naipaul, but also CLR James, Eric Williams, Earl Lovelace, Sam Selvon, Edgar Mittelholzer, Ian McDonald and Michael Anthony are among the pantheon of those whose works are considered Caribbean classics. Yet until now, Trinidad and Tobago has not marked that aspect of its heritage in any organised way. Literary festivals take place throughout the Caribbean, but it is only this year that the country with one of the richest literary traditions in the region will celebrate that part of its culture.
The inaugural Bocas Lit Fest is an idea whose time has come. Named after the straits that connect Trinidad to the Caribbean, the Atlantic and the world, the festival, which takes place in Port of Spain from next week, will bring together writers and readers in over 50 events.
The festival aims, among other things, to celebrate the Caribbean’s literary achievements and to enhance this country’s presence on the world stage, as well as to encourage reading and literacy and to support the local publishing industry.
Writers and other participants will fly in from all over the world to watch, listen to and take part in readings, workshops, performances, panel discussions and film screenings. As word of the festival spreads, it has the potential, in the medium to long term, to become an attraction for the purpose of event tourism.
In its 43 years, the Trinidad Express too has played its part in supporting local writing and writers. In the past decade, this newspaper has serialised the publication of works by Anthony and Lovelace. At one time, indeed, Earl Lovelace was also a reporter in the Express newsroom, while he was already a prize-winning novelist. He covered the news alongside the late Keith Smith, Express editor at large, whose writing will be memorialised during the Bocas Lit Fest.
So as consulting editor Lennox Grant said at Tuesday’s launch of the festival, “The Express, then, as the One Caribbean Media flagship, can claim that we make good company for writers and for writing that bids to be remembered and cherished beyond the fleeting impact of the daily headlines.”
One Caribbean Media, parent company of the Trinidad Express, will demonstrate its commitment to excellence in writing in a concrete way, through its sponsorship of the OCM Bocas Prize, which is open to Caribbean writers and which comes with an award of US$10,000.
OCM offers its congratulations and best wishes to the organisers and sponsors — Republic Bank, KFC, National Gas Company and the National Library — and is delighted and proud to be associated with this historic event, the inaugural Bocas Lit Fest.
In fact the programme listed 20-22 sponsors on its back page. Clearly the Trinidadian media, their private sector and their government were quick to cotton on to the great potential of a festival such as this, something that can’t be said for Jamaica where the extraordinarily successful Calabash Literary Festival has just come to a premature end after a golden run of 10 years.
Bocas couldn’t have been more different from Calabash. Firstly it took place at the National Library of Trinidad and Tobago in Port of Spain, far from any quaint beach resort. The Trinis have invested big time in this Library which is a high-tech edifice of glass, steel and concrete across from Red House (that houses Parliament). Bang in the middle of the downtown area it was easy to slip out for a bite to eat or a spot of shopping.
Another thing i liked about Bocas was the mix of events in the programme. Readings were only one part of the Festival which included workshops with the invited authors, panel discussions such as the one on Caribbean writing pictured at the top of this post, “Does “Caribbean literature” really exist?” The moderator BC Pires limited the discussion by framing it too narrowly I thought, invoking the ghost of Wayne Brown, who hovered absently over the whole festival (not surprising since he died less than a year ago and was a Trinidadian writer of some prominence). Everyone knew what English Literature, Indian Literature, German Literature and American Literature are said Pires, so why the angst about whether Caribbean Literature exists or not? But of course none of the literary canons he invoked are as clear cut and well-defined as Pires was making them out to be…English literature is now written in India some say, and Indian Literature is a vexed terrain with some not wanting to admit Indians writing in English to the canon and others defining it exclusively by them as Salman Rushdie did in The Vintage Book of Indian Writing celebrating India’s 50th Independence anniversary more than a decade ago.
Another regular feature on the Bocas Lit Fest every year is going to be The Bocas Debate which this year was on Press vs. Government, the Freedom to Print What? with Judy Raymond, Selwyn Ryan, Mervyn Assam and Amery Browne. The latter two being politicians, predictably thought that if anything, TnT enjoys too much press freedom (!), while Judy and Selwyn both journalists/columnists scoffed at the very idea.
The real gamechanger Bocas has initiated is the annual OCM Bocas Prize open to poets, fiction and non-fiction writers who have published a book. Offering US$10,000 as the prize The Bocas is a serious literary award which will make a big difference to writing in the region. This year’s finalists were Edwidge Danticat in non-fiction for Creating Dangerously, Tiphanie Yanique in fiction for How to Escape from a Leper Colony and Derek Walcott in Poetry for White Egrets. Well, no prizes for guessing who won.
I attended several of the workshops which cost TT$50 each (about US$8.50): What happens next: how to build a plot with Marlon James and OCM Bocas Prize judge Mark McWatt; Words into flesh: how to create characters with OCM Bocas Prize judge David Chariandy; and What every writer wants to know: how to get published with OCM Bocas Prize judge Margaret Busby, Ken Jaikaransingh, and Jeremy Poynting.
The day before Bocas started ARC magazine was launched at Alice Yard in Port of Spain. I had the pleasure of introducing the magazine to its new audience. I also have a text in it about Jamaican-born artist Andrea Chung’s work. Look out for ARC! Its the first serious all out art magazine in the Anglophone Caribbean, kudos are due to its founding editors, Vincentians Holly Bynoe and Nadia Huggins.
Another post should follow tomorrow on Bocas…didn’t want to cram it all into one post.